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Moonlight (2016)Lernen Sie die Übersetzung für 'to moonlight' in LEOs Englisch ⇔ Deutsch Wörterbuch. Mit Flexionstabellen der verschiedenen Fälle und Zeiten ✓ Aussprache. Übersetzung für 'moonlight' im kostenlosen Englisch-Deutsch Wörterbuch von LANGENSCHEIDT – mit Beispielen, Synonymen und Aussprache. Übersetzung im Kontext von „moonlight“ in Englisch-Deutsch von Reverso Context: Midnight, moonlight, surrounded by death.
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John ist deshalb Moonlight Deutsch genervt. - "moonlight" Deutsch ÜbersetzungJenkins wünschte sich einerseits Orchestermusik für seinen Film, andererseits hatte er am Harry Potter Streaming Online der Zusammenarbeit mit Britell bemerkt, dass dieser sein Interesse an Chopped-and-Screwed -Musik teilt.
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Moonlight was created by Case Western Reserve University students as a project at the MHacks hackathon in and further developed at MHacks and HackCWRU in Cameron Gutman Diego Waxemberg Aaron Neyer Michelle Bergeron Andrew Hennessy Aidan Campbell.
Moonlight deutsche Übersetzung. Yeah Spotlight, uh, moonlight, uh Nigga, why you trippin'? Get your mood right, uh Shawty look good in the moonlight All these pussy niggas so bad mind Spotlight, moonlight Nigga, why you trippin'?
Get your mood right Shawty look good in the moonlight All these pussy niggas so bad mind Spotlight, uh, moonlight uh Nigga, why you trippin'?
Get your mood right Shawty look good in the moonlight All these pussy niggas so bad mind. Zur deutschen Übersetzung von Moonlight.
Auf Facebook teilen Facebook Songtext twittern Twitter Whatsapp. During filming, Jenkins made sure that the three actors for Chiron did not meet each other until after filming to avoid any imitations of one another.
Jenkins worked with cinematographer and longtime friend James Laxton , who previously shot Medicine for Melancholy. As a result, the three chapters of the film were designed to imitate different film stocks.
The first chapter emulated the Fuji film stock to intensify the cast's skin tones. The second chapter imitated the Agfa film stock, which added cyan to the images, while the third chapter used a modified Kodak film stock.
The film was edited in Los Angeles  by Joi McMillon and Nat Sanders , former university schoolmates of Jenkins.
The score of Moonlight was composed by Nicholas Britell. Britell applied the chopped and screwed technique from hip hop remixes to orchestral music, producing a "fluid, bass-heavy score".
The soundtrack, released on October 21, , consists of eighteen original cues by Britell along with others by Goodie Mob , Boris Gardiner , and Barbara Lewis.
Peter Bradshaw of The Guardian , lists "love, sex, survival, mothers and father figures" among its themes, particularly the lack of a nurturing father.
A major theme of Moonlight is the black male identity and its interactions with sexual identity. The film takes a form similar to a triptych in order to explore the path of a man from a neglected childhood, through an angry adolescence, to self-realization and fulfillment in adulthood.
This particular story of Chiron's sexuality is also seen as a story of race in a 'post- Obama ' era. The film amalgamates art film with hood film in its portrayal of African-American characters on-screen.
This specifically deals with the theme of recuperating identity, especially in terms of blackness. The characters operate in an urban working-class city in Florida but are portrayed through art house conventions to create a new space for black characters in cinema.
This mirrors Chiron's own odyssey to learning who he is, as he constantly struggles with trying to find some essentialism to his identity, yet consistently fails in doing so.
The triptych structure helps to reiterate the fragmented personality to the film and Chiron. The film's co-writer, Tarell Alvin McCraney , speaks on the topic of black masculinity in the film, explaining why Chiron went to such lengths to alter his persona.
He argues that communities without privilege or power seek to gain it in other ways. He says one way in which males in such communities do this is by trying to enhance their masculine identity, knowing that it often provides a means to more social control in a patriarchal society.
In Moonlight , masculinity is portrayed as rigid and aggressive, amongst the behavior of young black males in Chiron's teenage peer group.
In the film, Chiron is placed in this divide as a black gay man and alters his presentation of masculinity as a strategy to avoid ridicule because homosexuality is viewed as incompatible with black masculine expectations.
As young kids, Kevin hides his sexuality in order to avoid being singled out like Chiron is. As Chiron grows older, he recognizes the need to conform to a heteronormative ideal of black masculinity in order to avoid abuse and homophobia.
As an adult, Chiron chooses to embrace the stereotypical black male gender performance by becoming muscular and a drug-dealer. Moonlight explores the effects of this felt powerlessness in black males.
As McCraney explains, coping with this feeling often coincides with attempts to overstate one's masculinity, in a way that can easily become toxic.
He says one unfortunate side effect of leaning into masculinity too much is that men no longer want to be "caressed, or nurtured, or gentle," which is why a character like Juan may be puzzling to some audiences.
Chiron's choice to value masculinity over the desire to be loved or caressed becomes evident in scenes like his first sexual encounter with Kevin.
These ideas are related to Omise'eke Natasha Tinsley's essay "Black Atlantic, Queer Atlantic," in which she claims that the slave ships of the middle passage may have allowed for the formulation of queer identities and relationships amongst the black men and women below deck.
She argues the formulation of queer relationships was a method of resistance, providing love and comfort to black people when there should have been none.
Blackness, masculinity, and vulnerability are major focuses of this film. Juan says, "There are black people everywhere.
Remember that, okay? No place you can go in the world ain't got no black people. We was the first on this planet. It seems that Juan seems to associate this image with vulnerability, given that he tells Chiron that he eventually shed the nickname "Blue" in order to foster his own identity.
The scenes depicting Chiron in the moonlight are almost always the ones in which he's vulnerable, his intimate night on the beach with Kevin included.
Throughout the film, this dichotomy between black and blue stands in for that between tough and vulnerable, with the black body often hovering between the two.
Water is often seen as cleansing and transformative and this is apparent in the film as well. Whether it be him swimming in the ocean or simply splashing water on his face, Chiron is constantly interacting with water.
However, it is most notable that water is most often seen in the film in times of immense transition for Chiron. Throughout his life, Chiron resorts to water to bring him comfort e.
In the scene where Juan taught Little to swim, he explained to him the duality of water in relation to black existence, a concept addressed in Omise'eke Natasha Tinsley's Black Atlantic, Queer Atlantic.
The ocean is like a crosscurrent as Tinsley says, that can simultaneously be a place of inequality and exploitation as well as beauty and resistance.
Tinsley describes how, "black queerness itself becomes a crosscurrent through which to view hybrid, resistant subjectivities and perhaps, black queers really have no ancestry except the black water.
The film had its world premiere at the Telluride Film Festival on September 2, The film's poster reflects its triptych structure, combining the three actors portraying Chiron into a single face.
Mark Olsen of the Los Angeles Times referred to it "as one of the most anticipated films for fall". On February 27, , the day after the Academy Awards, Calvin Klein released an underwear advertising campaign featuring four of the male actors in the film.
After the Oscars ceremony, A24 announced that the film would be played at 1, theaters. The website's critical consensus reads, " Moonlight uses one man's story to offer a remarkable and brilliantly crafted look at lives too rarely seen in cinema.
David Rooney of The Hollywood Reporter wrote a positive review after Moonlight premiered at the Telluride Film Festival. He praised the actors' performances and described the cinematography of James Laxton as "fluid and seductive, deceptively mellow, and shot through with searing compassion".
Rooney concluded that the film "will strike plangent chords for anyone who has ever struggled with identity, or to find connections in a lonely world".
While discussing the film after its screening at the Toronto International Film Festival , Justin Chang of the Los Angeles Times described Moonlight as "achingly romantic and uncommonly wise", and an early Oscar contender.
Chang further wrote: "[Barry Jenkins] made a film that urges the viewer to look past Chiron's outward appearance and his superficial signifiers of identity, climbing inside familiar stereotypes in order to quietly dismantle them from within It says everything".
Writing for The London Review of Books in February , Michael Wood characterized the film as a study of an inherited intergenerational tragedy:.
The film keeps showing us Chiron's handsome, inscrutable face. The silence doesn't tell us anything, it just asks us to feel sorry for him All is not lost, though, because as we gaze at Chiron, we can think of something else: his resemblance to Juan his father figure.
Does it mean that Juan was once a Chiron Not quite that perhaps, but the last shot of the film is of the young Chiron sitting on the beach His wide eyes suggest all the desolation and promise that Juan saw in him at the beginning.
If we started again, would things be different? Camilla Long of The Times wrote that the film's "story has been told countless times, against countless backdrops", and that the film is not "relevant" to a predominantly "straight, white, middle class" audience.
Richard Brody of The New Yorker included Moonlight in his list of the best 27 films of the decade. On a list of top ten lists of the decade on Metacritic, it was tied for most second most number ones and second on overall mentions of lists of top ten films of the decade.
Moonlight was listed on numerous critics' top ten lists for IndieWire writers ranked its screenplay the 16th best American screenplay of the 21st century, saying Jenkins and McCraney "dig deep into three brief moments and ask the audience to make connections [ At the 74th Golden Globe Awards , Moonlight received six nominations, the second highest of all film nominees.
Moonlight received four nominations at the 70th British Academy Film Awards : Best Film , Best Actor in a Supporting Role , Best Actress in a Supporting Role and Best Original Screenplay.
Moonlight received eight nominations at the 89th Academy Awards , the second highest of all nominees, including Best Picture , Best Director , Best Supporting Actor for Ali , Best Supporting Actress for Harris and Best Adapted Screenplay.
Co-presenter Warren Beatty later stated that he had mistakenly been given the duplicate Best Actress envelope, which Emma Stone had won for her role in La La Land several minutes prior.
During his keynote presentation at the SXSW Festival, Barry Jenkins read the speech he had prepared in the event Moonlight won Best Picture at the Oscars.
Because of the confusion over La La Land having been incorrectly announced, Jenkins was unable to read the intended speech at the Academy Awards.
Because the film's screenplay was based on a play that had not previously been produced or published, different awards have had different rules about whether it qualified in the original or adapted screenplay categories.
Nat Sanders and Joi McMillon were nominated for Best Film Editing , making McMillon the first black woman to earn an Academy Award nomination in film editing.
The film is referenced in "Moonlight", a song from Jay-Z 's studio album From Wikipedia, the free encyclopedia.
Theatrical release poster. Adele Romanski Dede Gardner Jeremy Kleiner. Nat Sanders Joi McMillon. A24 Plan B Entertainment Pastel Productions. Release date.
Running time. Trevante Rhodes. Barry Jenkins — director, screenwriter Tarell Alvin McCraney — story writer, executive producer Adele Romanski — producer Dede Gardner — producer Jeremy Kleiner — producer Brad Pitt — executive producer Hannah Beachler — production designer Caroline Eselin — costume designer Nicholas Britell — composer James Laxton — director of photography Nat Sanders — editor Joi McMillon — editor.
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July Nicholas Britell. The performances of Mahershala Ali and Naomie Harris garnered critical acclaim and were nominated for Academy Awards , with Ali winning.
Dowd, The A. Main article: List of accolades received by Moonlight film. British Board of Film Classification. Retrieved January 20, I point it out because it would be a disservice to our hard working crew if that were the budget of the film.
The budget was roughly 1. Box Office Mojo. Retrieved March 4, The Guardian. Retrieved February 28, June 9, So Far".While smoking a blunt Nina Schlesener, the two discuss their ambitions and the nickname Kevin gave Chiron when they were children. Retrieved August 19, W Magazine. Kevin tells Chiron that he is happy despite Projekt: Peacemaker fact that his life didn't turn out as he had hoped, resulting in Chiron breaking down and admitting that he has not been intimate with anybody since their encounter years ago. From Silberpunzen Lexikon, the free encyclopedia. Schwarzhandel Person Of Interest Bs Alkohol betreiben. Dezember Barry Jenkins's beautiful, sympathetic film is one of the Rossini Film of the year In: newrepublic. In: Esquire,